BLOGGER TEMPLATES AND MyYearBook Layouts »

Saturday, 27 November 2010

Shooting Schedule

This is our updated shooting schedule, however there were minor changes to it on the 8th. We realised that we didn't actually need the final girl in the shots we took because they were of Balthazar's 'Victim Wall'. The second shooting was cancelled because of conflicting timetables and has yet to be rescheduled. As far as props are concerned, we have had to make our own syringe and the rest are not as difficult to get a hold of. As the cameraman :) i've been ringing actors up and arranging times, which also conflict. So, for the Male Gaze shots which have been arranged for Sunday the 12th, one of the actors are available today and one is available tomorrow, on the tomorrow.

Thursday, 25 November 2010

Locations

Locations decided:

- Train Station
- Bridge
- Alley way
- Somewhere with plants/roots/deserted

These are all isolated or can be made to look like dark places if I can film mostly close ups and extreme close ups.

Wednesday, 24 November 2010

Potential Actors

We advertised an ad on Gumtree to find our cast.
The following males and females are our possible choices.


Rhys

Cheyenne

Hugh

Nathalie

Kevin

Elizabeth


Deborah

Monday, 22 November 2010

Storyboard

Sunday, 21 November 2010

Our Teaser Trailer Narrative - TBA


On New Year’s Eve 2006, 66 individuals went missing in London. These 66 have been immoral in the past and committed a crime that has gone un-noticed by the authority. Balthazar, a hidden villain who is psychologically affected by his haunting childhood, believes the only way to save these hedonistic people is to purify them with his own personal chemical (his blood). Balthazar’s only weapon is his syringe, he uses this to extract his own blood and inject it in to his criminal and immoral victims. Why does he think his blood is so replenishing?
The 66 corrupted return two years later, from captivity, they showed no signs of physical or psychological harm. They had no recollection of their kidnapping; however, the group of 66 keep one crucial secret. The infection is spreading through their blood, which has now become tainted, literally. Because of this they keep their arms covered and are hiding an expanding rash.
Now (2010), news of a pandemic is spreading, with many not taking much notice, assuming it’s 'just another disease' like the Swine and Bird flu. 65 of these previously captured have fallen ill; they have all reported a recollection from four years ago, where they saw a hooded figure approaching them before they blanked out. They then begin collapsing and having a fit that results in death. The one individual that managed to escape the infection by running away from the killers grasp four years ago (the one that managed to get away) is now exempt from the disease (but she knows far too much). She (Dylan Granger) is now 24 and unable to live a normal life because Balthazar is after her, wanting to finish what he started.
Dylan is a beautiful young female, she is strong and investigative; the immoral crime that she committed 4 years ago still haunts her. She was the driver at a 'hit and run' incident, being young (only 20), she paniced and drove away after hitting a mother and a child late one Winter evening. Later that year, after the death of her fellow 65 ex-criminals. She searches for the killer and visits the place of her attack. The underground station of London’s Charing Cross.
After much investigation, Dylan confronts the villain at a secluded station at Victoria in the late evening, Balthazar’s intension is to attack and purify Dylan from her sins. and they battle as she struggles to escape his grasp yet again. She removes the syringe from his hand, resulting in him being weapon less and seemingly harmless. However he bites her wrist releasing the infection within her, Dylan then slits his throat.


Background on Balthazar
From a young age Balthazar has witnessed and been brought up around drug abuse, his parents were users and also injected him. His family became homeless in his early life and he is forced in to a world of poverty. He sells and uses drugs – this is the only thing he knows and means he has to survive (copies parents). His abusive childhood, leads to him murdering his father; thus, believing that his mother will be safer.
Now older, he uses syringes to infect immoral humans. He believes that his blood cleanses people; especially the immoral people, in order to make them through the body. On the anniversary of his mother’s death; he goes on an injecting spree, to purify people. However, he starts a pandemic, purifying with impure blood (in more ways than one).
Key:


Exposition
Development
Complication
Climax
Resolution

Saturday, 20 November 2010

Influence #1 - Nosferatu (1922)

One of the first vampire movies, this movie is effective in creating suspense and horror even without the use of dialogue and diegetic sound. At times it seemed as though the black screen with writing on would take a lot away from the tension that had slowly been built, in addition, this movie has taught me how music has a major effect on the audience in a horror genre. What also stands out for me in Nosferatu is the 'otherness' of Count Orlok, from where he lives, to the abnormal sexual tension felt between him and Hutter.


From this, it can be assumed that to grab an audience, it is vital to have gripping non diegetic music/sound; so that instead of having information passed to the audience through both dialogue and non diegetic sound, there is only one source of information available to a viewer to find out what is happening. Nosferatu also has an innovative use of shadow and challenges religion, furthermore, the themes of female isolation and abandonment and loneliness are the ones I wish to explore, and Nosferatu is one of my major influences.

Friday, 19 November 2010

Influence # 2 - Quarantine (2008)



The use of night vision is a editing technique I am looking to use in my trailer and also the quick cuts and use of silence. This is why I chose to go down the infection route as it can blur the line between reality and fiction, to make my trailer more believable and ultimately more horrific.